| Name ▲▼ | Origin ▲▼ | Description ▲▼ |
|---|---|---|
| God name "ASKLEPIOS" | Greek | God of physicians and healing. The son of APOLLO and a mortal consort, Coronis, Asklepios lived effectively as a mortal and died as such. He was nonetheless regarded as a deity.... |
| Deity name "Abracax" | Greek | Also written Abraxas or Abrasax, in Persian mythology denotes the Supreme Being. In Greek notation it stands for 365. In Persian mythology Abracax presides over 365 impersonated virtues, one of which is supposed to prevail on each day of the year. In the second century the word was employed by the Basilidians for the deity; it was also the principle of the Gnostic hierarchy, and that from which sprang their numerous Æons. |
| Deity name "Abraxas" | Greek | Aka Abraxis, Abrsax, viewed as the supreme deity and the source of Divine emanations, the ruler of all the 365 heavens, or circles of creation--one for each day of the year. The number 365 corresponds to the numerical value of the seven Greek letters that form the word abraxas. The name Abraxas was taken from abra-cadabra. |
| God name "Aesculapius" | Roman | God of healing. Developed from the Greek deity ASKLEPIOS and introduced into Rome in 293 BC as a plague god. Attributes include the caduceus (winged scepter), the symbol of modern Medicine.... |
| Deity name "Aglibol" | Roman / Syria / Greek / Palmaryia | A lunar deity in the ancient Syrian city of Palmyra. His name means "Calf of Bel" ("Calf of the Lord"). He is depicted with a Lunar disk decorating his head, and sometimes his shoulders. Roman / Syria / Greek / Palmaryia |
| God name "Alalu" | Hittite / Hurrian | Primordial god. The archetypal deity who precedes AN(U) in the formation of the cosmos. He was identified by the Greeks as HYPSISTOS (the highest).... |
| God name "Areimanios" | Greek | Chthonic underworld god. Probably derived from the Persian deity AHRIMAN. Plutarch identifies him as the embodiment of HADES.... |
| Goddess name "Armkis [Greek]" | Egypt / Upper | Birth goddess. Minor deity with cult centers in lower Nubia and at Elephantine. She is variously the daughter of RE, and of KHNUM and SATIS. Anukis lives in the cataracts of the Lower Nile. Her portrait appears in the Temple of Rameses II at Beit-et-Wali where she suckles the pharaoh, suggesting that she is connected with birth and midwifery, but she also demonstrates a malignant aspect as a strangler (see HATHOR). Her sacred animal is the gazelle. Depicted anthropomorphically wearing a turban (modius) with ostrich feathers. Also Anuket (Egyptian).... |
| Deity name "Atunis aka Atuns" | Etruscan | The Etruscan incarnation of the popular life-death-rebirth deity. He is a consort for Turan. Originally non-Etruscan, directly from Greek Adonis. Etruscan |
| Deities name "Baa! Samin (lord of heaven)" | Western Semitic / Phoenician | Head of the pantheon. Probably originated in Canaanite culture as a god of Rain and vegetation, but became extensively revered in places as far apart as Cyprus and Carthage. Epithets include bearer of thunder. Baal Samin is first mentioned in a fourteenth century BC treaty between the Hittite king Suppiluliuma and Nigmadu II of Ugarit. He had a major sanctuary at Byblos, according to inscription, built by Yehemilk. Josephus confirms that his cult existed at the time of Solomon. At Karatepe his name appears at the head of a list of national deities and on Seleucid coinage he is depicted wearing a half-moon crown and carrying a radiate Sun disc. Other epithets include lord of eternity and he may also have been god of storms at sea, a patron deity of mariners. By Hellenic times he equated with ZEUS in the Greek pantheon and the Romans identified him as Caelus (sky). Also Baal-Samem.... |
| God name "Benu" | Egypt / Upper | Transmuted bird-like form of a Sun god. A deity mentioned in Pyramid Texts (circa twenty-fifth century BC) and linked with the Sun god of Heliopolis, ATUM. He is also said to have been self-created from the primeval ocean and is sometimes a symbol of rebirth in the afterlife. Benu may have augmented the Greek clåśśical tradition of the Phoenix. He appears in the Old kingdom as a yellow wagtail but later becomes a heron, wearing the conical white crown of Upper Egypt with two slender feathers pointing backwards from its crest.... |
| Deity name "Dianic Wicca" | Greek | A Wiccan path that focuses on the strong female deity Diana. |
| God name "Dionysia" | Greek | Festivals celebrated in various parts of Greece in honour of Dionysus. We have to consider under this head several festivals of the same deity, although some of them bore different names, for here, as in other cases, the name of the festival was sometimes derived from that of the god, sometimes from the place where it was celebrated, and sometimes from some particular cirçúɱstance connected with its celebration. Greek |
| Goddess name "Discordia" | Roman | Minor goddess of dissent. Modeled on the Greek deity ERIS.... |
| Deity name "Empyrean" | Greek | There are five heavens, the last of which is pure elemental fire and the seat of deity; this fifth heaven is called the empyrean. Greek |
| Deity name "Erebos" | Greek / Roman | A primordial deity, different |
| God name "Fates" | Greek | Properly signifies "a share," and as a personification "the deity who åśśigns to every man his fate or his share," or the Fates. Homer usually speaks of only one Moira, and only once mentions the Motpai in the plural. In his poems Moira is fate personified, which, at the birth of man, spins out the thread of his future life, follows his steps, and directs the consequences of his actions according to the counsel of the gods. Homer thus, when he personifies Fate, conceives her as spinning, an act by which also the power of other gods over the life of man is expressed. Greek |
| Goddess name "Fortuna" | Roman | Goddess of good fortune. A deity who particularly appealed to women, partly in an oracular context. She is depicted carrying a globe, rudder and cornucopiae. She probably evolved from the model of the Greek goddess TYCHE. Her main symbol is the wheel of fate which she may stand upon and Renaissance artists tended to depict her thus. Among her more celebrated sanctuaries in Rome, the temple of Fortuna Redux was built by Domitian to celebrate his victories in Germany. She is depicted in a well-known stone carving in Gloucester Museum, England, holding her three main attributes.... |
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