| Name ▲▼ | Origin ▲▼ | Description ▲▼ |
|---|---|---|
| Goddess name "AENGUS" | Celtic / Irish | KNOWN PERIOD OF WORSHIP circa 500 BC . The son of the DAGDA by the wife of Elcmar (one of the kings of Tara) who may have been the goddess BOANN, Aengus lived in the Valley of the Boyne and was closely linked with the ancient funerary tumuli in the region. According to legend, Aengus fell in love with a maiden whose identity he sought in vain. As he wasted away, his father and mother made enquiries until they located Caer, daughter of the king of Cannaught, who lived on Loch Bel dragon in the shape of a swan with 150 attendant swans. Aengus eventually found her and he also changed into a bird.... |
| Goddess name "Badi Mata" | Hindu / northern Indian | Mother goddess. A SAKTI and one of the seven SAPTAMATARAS (mothers) who in later Hinduism became regarded as of evil intent, attacking children during puberty. Particularly recognized in Bengal.... |
| Goddess name "Balarama (strength of Rama)" | Hindu / Epic / Puranic | Incarnation of the god VIS'NU. May have originated in Vedic times as an agricultural fertility deity. He is the son of VASUDEVA and DEVAKI, though born from the womb of ROHINI. Jointly with KRSNA (his brother), he is identified as the eighth avatara (incarnation) of Vis'nu, or, with RAMA, as the seventh. Legend describes how Vis'nu impregnated the belly of the goddess Devaki with two hairs, one black, one white. To ensure their safety against a demon king, they were transferred before birth to Rohini. Krsna grew to be dark-skinned, and Balarama light. The latter enjoys similar characteristics to Krsna but fails to attract the same popularity. He is usually depicted on the right side of Krsna, rarely standing alone. The consort of Balarama is REVATI and his sons are Nisatha and Ulmuka. Epithets included Ananda (joy). In Jainism he is known as Baladeva. Attributes: arrow, club, drinking cup, fan palm, honey pot, lotus, pestle, pitcher, plough, prayer wheel, shield and sword.... |
| Goddess name "Bariebdjedet" | Egypt / Lower | Ram god. Possibly concerned with arbitration, his consort is the fish goddess HATMEHYT. He is the father of HARPOKRATES. According to tradition (Chester Beatty I papyrus) he was called upon to intercede in the contest for the Egyptian kingdoms between HORUS and SETH. He is placed in some accounts in Upper Egypt on the island of Seheil at the first Nile cataract, but his cult is centered on Mendes in the Delta region of Lower Egypt [Tell et-Ruba] and is closely linked with the mother of Rameses III. He is generally depicted in anthropomorphic form, but with the head of a ram.... |
| King name "Bhrkuti-Tara" | Buddhist / Tibet | The Nepalese queen of Tibet's first great religious king, songtsen Gambo and credited with the introduction of Buddhism to Tibet and China. In the Lamaeist Tradition, Bhrkuti-Tara is incarnate in all good women. Buddhist / Tibet |
| Goddess name "Devaki (divine)" | Hindu / Epic / Puranic | Mother goddess. Daughter of Devaka and consort of the mythical king VASUDEVA, Devaki bore eight sons, including KRSNA and BALARAMA. Her brother Kamsa believed that the eighth child would kill him and he slaughtered the first six sons. In order to save the remaining two, VISNU implanted the seed of his avataras in Devaki's womb (in the form of hairs from his head), before transferring Balarama to the womb of the goddess ROHINI and Krsna to Yasoda, the wife of a cowherd, Nanda.... |
| Deities name "Kalki(n) (with white horse)" | Hindu / Vedic, Epic / Puranic | horse god. Possibly the tenth avatara of VIS'NU. He rewards the good and punishes evil. The counterpart of the Buddhist deity MAITREYA. horses became åśśociated with Divine kingship in ancient India because of their speed of movement. Solar deities were perceived to ride horses across the sky and horse sacrifice became highly significant. Kalki is depicted either anthropomorphically or with the head of a horse and has four arms. He is attended by a white horse. Attributes: arrow, conch, prayer wheel, shield and sword. Also Vis'nuyasas.... |
| King name "Mabb" | Irish | utter intoxication. Originally queen of Tara,later queen of the Faeries and mythological queen of Connaught. She dumped her husband, king Conchobar and created nine Irish kings in succession and took each one her lover. She was also a fierce battle queen. Irish |
| King name "Mahatala" | Borneo | Mahatara. The Prince Of The Sun and The king Of The moon. The Ngaju, Borneo |
| Goddess name "Narasinha (man-lion)" | Hindu / Epic / Puranic | Incarnation of the god Vis'nu. The fourth avatara of the god is depicted as a man-lion hybrid. According to legend, the demonic king Hiranyakasipu had taken on a dangerous invulnerability. To thwart this, VIS'NU took the form of Narasinha and hid inside a pillar of the king's palace whence he sprang, capturing Hiranyakasipu and tearing out his entrails. IconographicalIy, the scene is portrayed with the victim thrown across Narasinha's lap and the god's claws plunged into his body. Narasinha may also appear seated in a yoga position with the goddess LAKSMI on his knee.... |
| God name "Nataraja" | Hindu | The king of Dance, is the dancing posture of the Hindu god Shiva, who performs his Divine dance as a part of his Divine duties of creation and destruction. Hindu |
| Demon name "Rama (pleasing)" | Hindu / Epic / Puranic | Incarnation of the god VIS NU. The seventh avatara (sun aspect) of Vis nu. Rama began as a comparatively minor incarnation who became one of the great heroes of the Ramayana epic, as well as featuring in the Mahabharata. The son of Dasaratha and Kausalya, he was a king of Ayodhya who, in the Ramayana, slew the demon Ravana that had captured his consort SITA and was upheld as a deity par excellence in respect of manhood and honor, though his subsequent treatment of his wife might be regarded as cavalier (see Sita). The Ramayana epic was composed by the poet and sage Valmeeki during the reign of Ramachandra and it gave form to a story that had been in existence for many centuries as an oral tradition. Valmeeki portrayed Rama not as an incarnate deity but as a great mortal hero. The saga is strongly political and serves to unite a vast and fragmented people in a common focus, irrespective of caste and language. It defines the historical schism between the Hindu culture of India and the largely Buddhist tradition of Sri Lanka. Rama rides in a chariot and is depicted in human form with two arms, typically holding a sugar cane bow and with a quiver at his shoulder. Also Ramacandra.... |
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