| Name ▲▼ | Origin ▲▼ | Description ▲▼ |
|---|---|---|
| Deities name "Vigrieesvaraeugramurti" | Hindu / Puranic | family of deities. A popular depiction in art of SIVA (colored black) and Parvati with their son GANESA after he has been decapitated by his father and given the head of an elephant by way of replacement.... |
| Deities name "Vijaya (victory)" | Hindu / Epic / Puranic | God. An EKADASARUDRA (one of the eleven RUDRA deities). Hiranyaksa is considered one of his incarnations. Attributes: club, knife, rosary and staff. Vijaya is also the name of the bow of INDRA.... |
| God name "Virabhadra (great hero)" | Hindu / Epic / Puranic | war god. Considered to be a form of SIVA, and occasionally of VISNU, Virabhadra acts as a martial aspect of Siva against the god DAKSA, who according to some accounts abused Siva's wife SATI and drove her to angry suicide by self-immolation to avenge the slight. He is depicted bearing four arms. Attributes: arrow, bow, shield and sword. He sometimes wears a necklace of skulls. Three-eyed and three-headed.... |
| Goddess name "Viranakka" | Saami | A goddess of hunting |
| God name "Visnu Trivikrama" | Hindu / Epic / Puranic | Form of the god VISNU. Trivikrama is the transformation into a giant from Vis'nu's dwarf avatara VAMANA, in order to confirm his dominance over the world by covering it in three huge strides.... |
| God name "Visvaksena (tbe all-conquering)" | Hindu / Puranic | Minor god. The bodyguard and gatekeeper of VISNU. Tradition maintains that Visvaksena was slain by SIVA when he refused the latter an audience with Vis'nu. For this reason he is generally depicted in the form of a skeleton impaled on the trident weapon carried by Siva in his aspect of KANKALAMURTI. His attributes include a wheel, club and conch shell.... |
| God name "Visvamitra" | Hindu / Puranic | Minor god. According to legend, the father of the god NARADA.... |
| God name "Vitthali" | Hindu / Epic / Puranic | God. A lesser known incarnation of the god VISNU (or KRSNA). The cult of Vitthali is centered mainly on Panharpur, near Bombay, where he is the object of devotion by the Varkari sect. Generally depicted standing on a brick, wearing a fez-like hat and with hands on hips. Also Vithoba; Panduranga.... |
| Goddess name "Vivasvan (shining)" | Hindu / Vedic / Puranic | Sun god. The original Vedic list of six descendants of the goddess ADITI or ADITYAS, all of whom take the role of Sun gods was, in later times, enlarged to twelve, including Vivasvan. One of his titles is the embodiment of ancestral law. His consort is SARANYU and he is identified as the father of YAMA and YAMI, as well as MANU and the ASVINS. His color is golden and his attributes a Forest garland, two lotuses and a trident. Also Vivasvat.... |
| God name "Vyasa" | Hindu / Vedic, Epic / Puranic | Minor incarnation of the god VISNU. Vyasa is said to be the author of the Vedas, the Mababbarata epic and the Puranas. He ranks with Hyagriva and SARASVATI as a lord of knowledge and wisdom, and is responsible for dividing the Tree of Knowlege into parts. In the texts he is depicted as darkskinned and accompanied by four students, Sumanta, Paila, Vaisampayana and Jaimini. He may be bearded. Also Vedavyasa.... |
"Wabun" | Hiawatha | Son of Mudjekeewis, East-Wind, the Native American Apollo. Young and beautiful, he chases darkness with his arrows over hill and valley, wakes the villager, calls the Thunder, and brings the Morning. He married Wabun-Annung, and transplanted her to heaven, where she became the Morning Star. Hiawatha |
"Wabung Annung" | Hiawatha | The Morning Star. She was a country maiden wooed and won by Wabun, the Native American Apollo, who transplanted her to the skies. Hiawatha |
| God name "Wadj Wer (the mighty green one)" | Egypt | Fertility god. Sometimes depicted in androgynous form, he personifies the Mediterranean Sea or the major lakes of the Nile delta. He is depicted carrying the ankh symbol of life, and a loaf. The figure often appears pregnant and is åśśociated with the richness of the Nile delta waters.... |
| Spirit name "Wah-kon-tah" | Osages | The Great spirit Divine who, with prayer and supplication, granted guidance and favours. Osages |
| Goddess name "Waka-Sa-Na-Me-No-Kami" | Shinto / Japan | Agricultural goddess. The deity specifically concerned with the transplanting of young rice. A daughter of Ha-Yama-To-No-Kami and O-Ge-Tsu-Hime. Generally served by Buddhist priests. See also WAKA-TOSHI-NO-KAMI and KUKU-TOSHI-NO-KAMI.... |
"Whaitiri" | Maori | A personification of thunder, and the grandmother of Tawhaki and Karihi, who married a mortal chief. She invented the toilet, showed humans how to use it, and returned to the sky, where she still lives. Maori |
| Deities name "Whiro" | Polynesian / Maori | God of death. Regarded as an errant son of the creator deities, RANGINUI and PAPATUANUKU, Whiro stands as the chief antagonist of TANEMAHUTA, the creator god of light. He is, therefore, the personification of darkness and evil. During the time of creation from chaos, Whiro is said to have fought an epic battle against Tanemahuta in the newly formed heavens. He was vanquished and forced to descend into the underworld where he became ruler over the dead and chief among the lesser underworld deities who are responsible for various forms of disease and sickness. In the temporal world the lizard, a symbol of death, embodies him, and various creatures of the night, including the owl and the bat, are earthly representatives from his kingdom, as are such malignant insect pests as the mosquito. This deity is not to be confused with the legendary human voyager and adventurer of the same name whose traditions have, in the past, often been muddled with those of the god.... |
| God name "Willow Pattern" | s | The tradition. The mandarin had an only daughter named Li-chi, who fell in love with Chang, a young man who lived in the island home represented at the top of the pattern, and who had been her father's secretary. The father overheard them one day making vows of love under the orange-tree, and sternly forbade the unequal match; but the lovers contrived to elope, lay concealed for a while in the gardener's cottage, and thence made their escape in a boat to the island home of the young lover. The enraged mandarin pursued them with a whip, and would have beaten them to death had not the gods rewarded their fidelity by changing them both into turtle-doves. The picture is called the willow pattern not only because it is a tale of disastrous love, but because the elopement occurred "when the willow begins to shed its leaves." |
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